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This comprehensive and immersive collection is designed to be a ‘go to’ resource for soundtrack and electronica projects, whether you’re looking to add depth to an existing track or kickstart some brand new ideas. In Horizon II you will find deep, punchy basslines pulsing, thrilling synth sequences evolving, driving percussion loops lush, detailed pads and soundscapes plus growling basses, emotional pianos and epic impacts. Like the original, it is a collection of 128 patches for Spectrasonics’ Omnisphere aimed at electronic/hybrid film scoring and atmospheric electronica. It is a shame they don't have a demo or even a "lite" version though it would be interesting to try and see if I would join the cult.Omnisphere Horizon II is the sequel to the popular original Horizon. I could just never justify the exorbitant cost, esp with so many great synths that are so much less. But again, I am not criticizing it or anyone who gets it or saying it shouldn't be considered.
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Really there are so many synths, including very inexpensive or even free ones, which are so good, it's far - far - from "necessary." If you're just starting out with soft synths, I'd try a lot of those inexpensive/free ones as "you get what you pay for" has more holes in it than the Swissiest of cheeses and you may find - in fact I suspect likely will find - Omnisphere, however great it may be, is hardly necessary. I know people who haven't and are quite happy too. People who buy it are happy with it, more power to them. But the same can be said for many other synths costing a LOT less. You can do a lot, and a lot of great things, with Omni no doubt. Like Zebra it's a synth nerd's paradise.Ĭlick to expand.I could say the same for many other synths that really doesn't mean anything. Even if you use Omnisphere to make filithy sounds it'll deliver utter filth for sure, and yet somehow, it's still has a crispness and clarity Kontakt just doesn't deliver. Omnisphere has an overall clarity that's in a league of its own.(Kontakt developers have attempted similar things, but the clarity simply isn't in the same league). The audio effects are killer and cover pretty much any effect scenario you can think of, Innerspace in particular is totally unique.Diego Stoccos custom instruments in particular are otherworldly). A hang drum "bowed" with an electric toothbrush and captured by contact mics. None of the wonky noise you come across in the odd Kontakt library. Its soudset is full of totally unique extended articulations you'll literally not find in any other instrument, all immaculately recorded.Out of the box it can do everything from thoroughly terrifying horror (and I do mean thoroughly terrifying) to shimmery-clean 12 string guitars, and every niche in between. It's deep and covers pretty much anything you can think of (short of orchestral instruments).That says a few things about it as an instrument: 9 out of 10 times the instrument they offer the largest collection of patches for is Omnisphere. Look at all of the major patch developers. If I'm doing a synth heavy track it's totally feasible that I might wind up using more Omnispheres than Kontakts. There isn't a project I do where I don't use it.